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He Pānui

Made in India- Why we manufacture our textile collections in India

Made in India- Why we manufacture our textile collections in India

Our textile products are made by our incredible manufacturing partners in India, and this blog is about why we choose India. We don't manufacture in China. Our kaupapa lead ethic has shaped and guided our partnership priorities as we seek to make the highest quality organic cotton textile and Pēpi products that embody our culture, not just aesthetically, but from the whenua to the whānau who make them.  We're unapologetic and uncompromising in our pursuit of ethical, sustainable, mana embodying taonga that you can live with and share with your whanau and friends with pride and integrity.

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Do we still believe in 'support local'?

Do we still believe in 'support local'?

Do we still believe in 'support local', 'buy NZ made', or has that been usurped by the ever gloomier cost of living crisis? There's not much by way of answers here, but the need to put pen to paper was greater as I overheard yet another exchange about the magic of cheap internet hauls. 

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Let's Talk About Kirihimete

Let's Talk About Kirihimete
This Christmas, what if we focused less on the hustle and more on what truly matters? Growing up, our whānau celebrated in ways that didn’t follow the typical traditions, and now as a Māmā to three, I am grappling with how we retain our authenticity and uphold our whanau values while celebrating Christmas, even when that means eschewing cultural norms, or as others would paraphrase for me- 'not celebrating christmas. This year, as we navigate the festive season, we’re intentionally weaving in and articulating for our tamariki values like Aroha, Whanaungatanga, and Kaitiakitanga. Whether it’s homemade gifts or experiences over material things, let's be intentional about what we give and how we celebrate. Let’s make this Christmas about meaningful connections and sustainability. Meri Kirihimete e hoa mā! Continue reading

How grievance and a sense of failure gave potency and purpose and a renewed energy to create.

How grievance and a sense of failure gave potency and purpose and a renewed energy to create.
 2023 was a little quiet on the Aho front, wheels still spinning but more on autopilot than in gear. My mind and ngākau were occupied with our whānau, our tamariki, the choices we make and those that are made for us and beyond our control.

I spent much of last year walking to and fro, to and fro to our local kura in what may have appeared peaceful, but the energy I carried simmered and seethed. 

It was within the first week that our ever observant kōtiro stated matter of factly, “Māmā, at this kura, I’m not Māori or Indian. At this kura, they teach us to be Pākēhā, so I’ll just be Māori and Indian at home, or at the marae, or when we go back to India now…”.  Continue reading

Cultural window-dressing, a cautionary tale.

Cultural window-dressing, a cautionary tale.

This is a cautionary tale about sowing seeds of trust into an institution that has Māori window-dressing (metaphorical, not that they were using our window film :) ) 

Not entirely dissimilar perhaps to the critique of non Māori businesses who mis-appropriate Māori names for financial gain. Window dressing. Enough of a taste to get you through the door, but nothing beyond the superficial.

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The beginning and the end: Musings on seasons in life and mahi

The beginning and the end: Musings on seasons in life and mahi

So 2023. Is going to look a little different and I plan to learn a bunch of new skills, both in business and in creativity, but also, and crucially, to strike a better balance as a Māmā in this very fleeting season.

This year, it’s my mission to run Aho as Pakihi. Still authentic, still true to our kaupapa. But just a little less entwined with my own creative meandering.

I hope to apply the business learnings to Aho, and savor the creative processes within the walls of our Kāinga.

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Appropriation vs Appreciation, the 100th draft on a nuanced kaupapa.

Appropriation vs Appreciation, the 100th draft on a nuanced kaupapa.

One of our most frequently asked questions is this:
“I’m Pākēhā, but love your products. Is it ok for me to purchase this for myself or as a gift, or is this cultural appropriation?”
I’ve thought many times over about trying to answer it, and always stumble with the idea that whatever I write may be somehow construed as the definitive definition of Appropriation vs appreciation.
But finally, after many scrapped drafts, I thought I’d offer you my own thought process. 

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'Sustainable' business as Resistance ( & tino rangatiratanga)

'Sustainable' business as Resistance ( & tino rangatiratanga)

“How we spend our days is, of course, how we spend our lives.”- Annie Dillard.

Each day, a small but definitive act of resistance against the tides of capitalism, consumption, more, more, bigger, growth, profit. And a gradual leaning in toward time, space, movement, observation, creativity and presence. Continue reading

Creativity as a balm in an aching world

Creativity as a balm in an aching world
One of my goals for the year was to commit writting and blogging more frequently. In part, to build a deeper relationship with you, but also, to create a discipline of the act and art of writing. Something I greatly enjoy- but leave for so long that I forget, until I return to it months later and rediscover it... Continue reading

Art and Business: A tension and release

Art and Business: A tension and release

There's a tension I’ve found, between being a Creative or Artist, and a business owner. Between process and outcome. Some musings on how to dance between spaces, and work arounds I'm building into life.

 

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